FIP (Face Painting In Progress) had invited me over to teach at their EU JamVention a few years back which was amazing. Willy & Jacklyn Suiskens, the hosts/ owners were lovely, so I was really excited when they asked if I would be interested in coming to Europe’s biggest Cosplay Event with them and their international team.
I arrived late due to a delayed plane and then train troubles, but was happy to find that although my dutch had vanished (I couldn’t locate my phrase book which I usually read on the plane to get my dutch head on) my school girl german was fine and managed to get me through a few hours of chatting. I knew most of the artists already from various painting events so it was great to see them and meet the ‘new’ ones.
We were all staying in caravans on a huge campsite but were up extremely early so everyone could get showered and ready for the drive.
Elfia Arcen is held at Kasteeltuinen in Holland, http://www.kasteeltuinen.nl/nl/ which is an amazing array of themed gardens set up around a castle and its buildings.
The event itself has 1000’s of people coming along in costumes from scifi films& tv, manga, cartoon, steampunk, victorian, historical… the kids, prams, dogs have outfits too!
The stalls were in keeping with interesting tents and unusual contents – corsets, armour, weapons, skulls, unusual headdresses…
And the musicians and bands! Even the staff and security wore medieval tabards and all the security panels and tape were harlequin too. I was half sad I was painting all day as there was so much to see.
Anyway, on the Saturday we arrived in the lovely FIP marquee as the stalls were opening. The FIP team had a stage at the back with a spacey backdrop as the theme for us this years was ‘Space & Time”. On the left of our main entrance was the brilliant stall Willy had built, selling all sorts of cosmetic props and prosthetics and with the price lists for the face & body painter menu as some of the artists did shifts decorating customers.
On the right hand side were all the ‘show’ body painters. They had photo banners up outside and inside the tent with the artists names, work and country (I’m Scotland!) on them, as well as a lovely enlarged photo of a favourite paint on each of our tables.
I had Jacklyn Suiskens from Belgium on one side of me, on the other Udo Schurr of Germany
Other artists were:
Dani Bekiersch Germany
Josje Wolters Holland Joyce Ramakers Holland
Marieke Crone & Phoebe Maas Richard van der Laan Holland
Silvie Vissers Holland Tineke Menalda Holland
Viola Simons Germany
Saturday I was painting the fabulous Anna and as she liked purple, went for a Nebula-inspired alien. We named her Galaxy Girl rather than Nebula Nymph as there is already a famous Nebula girl in the Guardians of the Galaxy world. I wanted to have her sort of camouflaged and was determined NOT to use black as so many galaxy paints/ makeups are so dark or grimy with black.
All day we painted, with some breaks and lots of snacks from FIP, as crowds of cosplayers walked past and assorted bands came in to perform on our stage – LOVED the pirates!
As usual when I have no specific plan, Galaxy Girl changed as I painted and became a sort of cracked ‘skin’ like a mandala glittered shell, with a star/ nebula being born from paraben her chest and deep space exposed wherever the skin was ‘broken’.
I used mainly Cameleon, my fave vegan, cruelty & parabene free cosmetic paint, with freehand glitter tattoo over the top using the kids I sell and Facade or Kryolan glitters. I also shaded her face in particular with the Kryolan iridescent powders in silver and purple.
Then there was a display onstage of all the artwork to a packed marquee,
before a quick tidy-up and a few hours following Anna around as she was mobbed by photographers.
We took some pics in the rose garden area and I was wowed by the ingenious costumes parading by, from Sci Fi and Manga to historical, from Dr Who themed tardis dresses to a girl with a walking centaur.
We got back late to wash and get ready for the next paint…
This is the 3rd? time Paintopia has been to Professional Beauty North Manchester, and the 7th? Professional Beauty/ Warpaint Magazine event we have been honoured to work at. It is a huge show full of stalls promoting all sorts of beauty and spa products and courses, from nail art to fake tan, teeth whitening, uniforms and massage. This year it also included a hair expo, all held in the lovely converted Manchester Central convention venue.
I’d changed my mind on the train up so did my usual awful scribble (made worse by the train I say!) to text to Jennie & Grace. They had no idea what I was on about so after my annual cocktail at the PBNorth welcoming party, I sat down slightly tipsy with one of the wipeable bodyboards Jennie & I designed that she sells and painted it properly.
The 2 day event always runs from a Sunday. That first day Jennie & I usually bodypaint a demo model, following the same theme as the competition that we will judge on the Monday. We also do an onstage demo/ workshop. This time as the theme was USA, we decorated Gracie Bodypaint Model as our ‘American Pride’.
I had borrowed the amazing headpiece Jenny Marquis built for Gracie when they came 2nd in the Professional BodyPainter of the Year Category at Paintopia this year (her Gangs of New York paint for Paintopia’s Urban Jungle weekend).
So, we did Gracie’s face and neck as the Statue, mainly in Cameleon Celadon and Inkheart, which Jennie had to spend ages blending whenever I added or changed wrinkles on it.
Then I went on with a (very grumpy looking, sorry!) American Bald eagle over her chest. Its feathers I mainly one-stroked with Cameleon “Buzz” colorblock. I stencilled a hint of Native American dreamcatchers behind the eagle to denote the original americans who so revered wildlife.
On her lower half we went for a simple but sometimes badly-done and often requested paint; fake jeans. Jenny based in a pearly blue and then one-stroked on seams which I creased, highlighted and shaded. We thought the audience might like to see that as part of our demo, so didn’t finish off the legs to be able to continue them onstage.
I dyed my finger tips their usual blue by outlining everything in Cameleon Inkheart (my fave bluey-purple) whilst Jennie did clever things with lashes and the headpiece. A quick advert for the bodypaint stage shows on her back, and off we went. Some cabuchons for eagle eyeballs and Kryolan gems for jean-studs, then a few little freehand glitter tattoo highlights using the fine-tipped glue bottles and cosmetic adhesive I sell were the finishing touches.
Onstage I have no recollection of what we talked about; I know I made several ‘rips’ on the jeans to be a bit like the stars & stripes, but we didn’t finish off Gracie’s legs. By the end of our slot it was getting towards the close of day 1 so we went to get photos in the sales hall and outside. I have to say it is the best reaction to any of our paints we have had.
Everyone thought the ‘top’ was fab but didn’t realise the jeans were fake – Gracie had to keep moving the waistband of her knickers to show the paint line. One lady actually welled up which was a first.
It was also the warmest PBNorth we have been to, so after we packed up Gracie decided to walk back to our Melia Innside hotel in her paint, which gave us some fab photo ops!
We saw several cars circled back so they could film her, and a coach-load of oriental tourists were overjoyed and waving/ snapping pics like mad.
We headed to a location with interesting architecture we had found last year to get pics, and were lucky enough to be approached by a bunch of Instagram Photographers having a meeting!
Result!… headshot mikeycolebourne, blurred background JS_Spring, archway AndrewYee
Monday we had an interesting time judging the student and professional bodypaint categories. We were delighted that out of a large number of other competitors in assorted makeup and special FX genres, our winning Professional Artist, Cheryl Howes, won the overall top Professional award with her elegant Art Deco USA work on Debbie. Plus our winning student Emily Smith won the ‘Rising Star’ award as one to watch! She was amazing and so was her lovely dad who’d let her glue him into a fantastic home-made beak to be a bald eagle as part of her USA paint.
Huge thanks to Emma, Ali and Debs of Warpaint and all the lovely judges, we need to meet up more often!
I’d got to Paintopia by Tuesday evening to help Jennie & the rest set up.
Wednesday was helping host the Pre-Paintopia workshops with the amazing Madelyn Greco (headdresses) and Maria Malone Guerbaa (animal transformations).
Thursday I was the runner for the brilliant Kryolan masterclass whilst typing up the running order for festival announcements.
Thursday evening, more and more artists and models were arriving for the first ever Paintopia UV Jam. I’ve worked in UV clubs a lot doing small bits on the faces & bodies of clubbers, and done a couple of UV backs on clients, but had never had the chance to do a full UV body before.
The lovely Grace had asked if I would paint her, and then arranged a vague collaboration with a Dutch artist Tanya Hommes and her local model. I’d already thought we’d maybe do something on a Tim Burton theme as grace & I loved his work, and set the Oogie Boogie UV scenes from a Nightmare Before Christmas as our idea.
I’d not had time to sketch and hadn’t done more than print off some reference photos, so started with a giant Oogie Boogie on her front. Her hair was already slicked back with clay from the look by Gemma Horner at the Masterclass, so I decided to attempt a Jack/ moon look on her face.
I kept stopping to do announcements or find things for people, and soon realised I wouldn’t have time to do a full body. I drafted in the fab Jade to fill in the black around my outlines, and cut back my vague plans to get a finished paint on Graces front and legs.
David Cook and the crew had set up the stage Mik painted and it looked amazing.
The UV lighting was super-bright when it came on and the artwork was brilliant. Everyone whooped it up and had a great time, a super way to kick off the festival.
I shot a small timelapse and some videos of it here
I was delighted when TRO, a great PR/ Experiential company I have worked with before (they hire me to paint for a week most springs at a Volvo stand at the Camping & Caravanning expo) contacted me about working for them at the Isle Of Wight Festival.
My lovely friend Jennie Roberts of Paintopia was hired to come as the 2nd artist. That was fabulous as we have hardly seen each other in months, even when at the same events, as I’m always painting and she’s hosting, etc.
The months before, with Paintopia, then IMATS and several other big events, was so busy I hadn’t really looked closely at the booking details until we had met up in Southampton to get on the IOW ferry on Thursday evening. Expecting a B&B or whatever as there weren’t many big hotels, (we knew it wasn’t a tent behind the festival stand), imagine our shock & delight when we drove down to the south of the island, up the longest private drive ever, to see we were staying in a mansion!
We didn’t need the travel kettle Jennie had packed for late night cups of tea at all – fully equipped kitchen, games room, gym, TV room, dining, sitting and play rooms…. Amazing! We met a few of the TRO & BA Staff, and a couple of the DJs, before heading off to bed quite late.
The next morning we got some more directions and headed back to the north of the island, calling in at a supermarket on the way to buy some snacks and lunch to have onsite. Sadly the rest of the crew were held up (taxis didn’t arrive) and couldn’t meet us with the electric golf cart at the staff parking, so we ended up having to haul our gear, including hot and wet weather gear, just in case, for a good 30 minutes. Very thankful we had our trolleys! We passed various parking areas, camp sites, tepee and yurt glamping zones, tent areas and then finally into the festival itself. It all seemed very clean and tidy and I loved that they had sniffer dogs on duty. Thank goodness it was dry – dust I can stand, it would have been impossible in thick mud like Download Fest had that same weekend!
Another 10+ minutes of trekking through the various festival zones and we finally found the huge, intriguing British Airways Arena tent. All you could see was a check-in desk with a queuing system in place, just like in an airport.
The idea was that at the desks, after being asked by real BA air hostesses where you were going and getting a special luggage-tag wristband, you crawled though the luggage carousel and entered a party. A uniformed customs official (a dancer) put you in the body scanner, activated by your wrist band, which took infra-red style photos and videos you could download later, then you walked in through the departures board to see a DJ on top of a pile of suitcases, surrounded by fun free activities.
There was a speakeasy bar where answering destination riddles won a cocktail from that city. A spin-to-win board where prizes ranged from blow-up airplanes to free flights to CapeTown. A ‘selfie’ fuselage, Caribbean massages, a ski-lift photo booth again with downloadable videos & pics & props, and beside that, a Bedouin tent from Marrakesh with free face & body art inside by Jennie & myself.
We had been given lovely kaftan tops to wear, which whilst nice and colourful & cool in the heat, were white… not always the best choice for face painters though!
All with real flight crew in uniform, and a bunch of amazing dancers who constantly changed costume to match different Gatwick BA destinations. It seemed risky – no advertising, nothing to be seen but the check in desk but we loved it.
On Friday we took part in the ‘flight parade’ to drum up interest. All the glam air crew in matching Union Jack Hunter wellies and uniform, guided by all the dancers in ground-crew jumpsuits & high-vis with glowing plane-directing paddles, were walking in formation through the festival handing out some tickets.
Jennie & I were supposed to be quickly painting things on interested people as we passed. We soon realised that even just a stencil & puff of glitter put us miles behind the crew, so were always madly stencilling, glittering then running to catch up. Back to the arena tent and we opened at 4.
The idea was to reward the curious, and oh my goodness did we! The music was fab, we were jigging away as we painted, and the noise when someone won a set of international flights was insane. Jenn and I were flat out, sticking to 3-minute-or-less fast designs, chatting to everyone we painted and asking them to take a selfie, and they all thought the whole thing was amazing.
We were supposed to be painting to match BA destinations, but as they fly everywhere we could and did do just about anything.
Day of the dead sugar skulls for South & Central America, USA stuff (inc film/ hero faces), jungle animals, tropical flowers, snowy things….
The staff finally managed to shut down our queue so we quickly packed away and stuffed kit behind the scenes so our tent area could be used by the public.
The aircrew and dancers still looked immaculate and were working away in a huge happy crowd. We went to find a very late tea, then walked to the far end of the festival to see the last few songs by the Stereophonics.
We were going to wait to see Faithless but were so tired we gave up and started the trek back to the car. We stopped to buy churros- I love them – and for the 1st time were shocked by the giant size of the helpings – we only finished 1 portion, they are usually smaller & shorter! Faithless came on nearly an hour later when we got back to the car, exhausted, so I’m glad we didn’t hang about. As it was, by the time we’d got home, showered, cleaned brushes, stencils & sponges and got into bed, it was after 2 am! The rest of the staff started arriving then too.
Saturday morning we were quite stiff from the unusual working position – the bedouin cushions & settees had looked so nice we had put away our usual chairs for customers the day before, and we felt the difference! We breakfasted by the fish pond on the verandah (!) chatting to some of the crew, which was lovely, and had a short walk around the grounds. After debating getting a taxi in so we had less distance to walk now we didn’t have kit, we decided we might want to pack up after work tonight if we didn’t want to go back into the festival on Sunday. Realising all the bands started after our ferry left on Sunday, we had to do the long walk from staff parking again.
No flight parade this time, but word had got around, so there was an even longer queue to get in all day, as people returned or joined out of curiosity.
By the evening, staff removed one of the luggage crawl-ways so people could just walk in when tagged, which meant more were allowed in, and the party really kicked off.
They had to shut off entry to our facepainting queue a long time before we finished, but there was so much else to do people were OK with that. I also went round when we had cleared the queue with all the pre-glued bling I had made, and stuck that on people who hadn’t been painted.
The photo-booth people very kindly offered to drive myself & our kit back so they could see where to go when they had to pack at 1 a..m. so we trundled through the busy crowds at about 10pm.
By the time we returned to the BA Arena, Jennie & I went off for an amazing Thai takeaway whilst seeing a bit of The Who, after which she charmed some T-shirt sellers into a large discount on festival tops for us.
Then as we had promised, we returned to the BA tent to find the biggest party in full swing. There were even some Who fans we had painted the Who logo on there – they went to watch the band and after a couple of songs decided the BA tent was more fun so came back!!
We met the Dickson Brothers from Kiss FM who were lovely, (and huge heroes of Jennies eldest daughter), and the off-duty staff were all joining in too. We bounced around to their fantastic set with the public & staff until the brilliant ‘shut down‘ (click that for a vid clip) with air hostesses, DJ’s etc showing everyone the exits, emergency safety talk style, and had a lovely lock-in with the large crew for a while. Jennie was even allowed to try on a real air stewardess hat.
By the time we got home and into bed, 1 wee bird started singing. As I mentioned it to Jennie, the whole lot started… been a while since anything except the baby had me still up at dawn!
Anyway we visited my brother-in-law on the way back to the ferry, and filled up with coffee for our drives to different sides of the country.
A totally amazing 3 days… bookings like this are what makes the hard slog ones worthwhile. An amazing event with a brilliant team, we can’t say enough about how good the experience was and are so glad it was so well received, and got into the press.
Several months ago I started seeing more and more about painters creating ‘face bling’.
This is clusters of sequins, gems, feathers etc, arranged into shapes like intricate bindis and usually stuck together on a base of pet-grade silicone. This cluster can be dried and added to face paints with cosmetic adhesive.
Back when I first started painting (2004? or earlier) I added dyed craft feathers, sequins etc to my work with spirit gum. I soon learnt that many of those either have layers that detach (leaving a clear plastic disc behind whilst the brighter metallic sequin layer falls off) or the dye leaked out onto the skin from the damp object. I stopped using them and haven’t been impressed with the pre-sticky gems available since (although Kryolan launched a nice range recently) – many either don’t adhere to skin or paint well, or won’t peel off the paper backing they come on.
I’d been sent a few samples of flat-backed acrylic gems when I ordered some cabuchons for bodypaint projects last year (in cream, pearl and black AB – I use them SO MUCH!) and had meant to look into it. I paid for some more samples to be sent from China and picked my favourites to order in bulk.
(I haven’t as yet got a good cabuchon supplier but will add them when I do – I use them for bubbles, rivets, buttons, jewellery, eyeballs….)
Due to language problems (they spoke English well enough to take my money but now have none to reply when I ask why I only got 100 not 1000 of a range of gems I paid for!!) I’ve had to change suppliers, but I finally have a good selection in stock on this shop page.
I don’t have time (new baby, kid, moving house etc) to sit and make bling clusters myself, so I chose gems which are much more striking than the usual ones available in the UK, and can be used alone OR added to clusters.
I will get time to paint & photo them in use soon, most of my recent bookings have been massive speed-painting events in Malls & I don’t get a chance to get my camera out. I only have these 2 from a street party event last week and my camera was not behaving 😦
Green snowflake heart (camera acting up so not great shot sorry)
As a centrepiece to crowns, an accent at the outer corner of an eye, etc, they are fabulous. I tend to do most of my paint, add a blob of the cosmetic adhesive (which I sell here on my freehand glitter tattoo page) and then finish off adding white or whatever final details whilst the blob dries. the finale is adding the gem and a poof of aurora glitter (from Funtime Faces). it always gets a huge wow and the lovely best bit is, the kids then have something to ‘keep’ (aside from any photos) of their facepaint.
The range I sell in my shop on here are all lightweight flat-back acrylic gems.
They include (click teal coloured words for video link):
Snowflakes with irridescent shades overlaid with silver metallic patterns – helloooo all you Christmas/ Frozen type designs
Shells – finely detailed in unusual AB mixed colours for all sorts of mermaid, flower and abstract designs
Hearts – princesses, abstracts, butterfly etc designs
small faceted AB hearts (in glitter or plain AB in mixed shades)
slightly larger aurora hearts with pyramid/dot textured AB surface
‘Sugar’ glittery hearts in mixed colours
large ‘crystal’ hearts with the same textured AB surface as the smaller aurora hearts but in mixed colours
Small clear faceted teardops in mixed colours
Medium bling drops in the same surface pattern/ AB as the crystal hearts, mixed colours
Large bling drops in the same surface pattern/ AB as the crystal hearts, mixed colours
I have seen people doing Pay-Per-Face at events charge extra for add-ons such as gems and these will definitely add value to your work.
I’ve already had parents and adult clients commenting on these and of course anything that makes your work stand out and be memorable is good!
Enjoy and do please tag me/ send in any designs you do with them.
So Jennie Roberts, myself & Gracie BodypaintModel just did our first youtube bodypaint tutorial (edited by Jade Roberts)…
Approx 30 mins tutorial on different methods of painting a Gold Living Statue
I’m putting this up as we are obviously heading into Hallowe’en planning season, as I’ve just had my 4th email in 3 days asking how to do the James Bond Goldfinger girl look. I get a LOT of people asking me to do this/ how to do it, so many that its saved as an auto response in my Gmail.
10/08/14PH: Hannah McKayPictured: Jason SmythCaption: Paralympian Jason Smyth supports the children’s cancer charity, Clic Sargent by being painted in gold body paint
Plus September is GoGold for Childhood Cancer Awareness Month.
So; officially, here it is. This is THE most requested, most DIY’d bodypaint (-that usually looks OK unlike many DIY bodypaints-) and usually looks good though possibly not as shiny as some expect (read on for various finishes/ methods).
For gold statues (or silver, bronze, copper, etc – there is a range of colours!)
I always use Graftobian metallic powder and Liquiset (has urea in it), or
Mehron metallic powder and mixing liquid (alcohol based). To be safe get the liquid that matches the brand of powder you buy.
Each part is usually sold separately, and for most looks you need both – the powder AND the liquid. Both brands sell the powders in 1 size only (bottles all the same size but some have less weight in as some metals are heavier than other shades), but the liquids come in small and large.
Graftobian also sell ‘Metal Mania‘ kits which they say contains all you will need. Personally I think there isn’t enough liquid for a body in it (and I don’t agree with their sponging application methods though – slow & messy, see my tips later).
When living in Hong Kong I also used a very similar product (had the same packaging as Mehron) called Eastman but I haven’t seen it anywhere else.
Yes, I have tried all the cosmetic pre-mixed liquids, regular ‘hard’ cakes, sprays, mousse paints etc on the market (as of October last year anyway). Trust me (and most pro body-artists), these 2 brands win by far for speed, end look, toughness, and ease of use/ removal.
There are other brands – Kryolan do a liquid paint in a range of metallic colours called Kryolan Liquid Brightness but that’s more sort of a pearly effect really. It is OK to look at and maybe easier for a non-professional to use, but not that shiny – I used it for this statue though she was then ‘aged’ with other shades over the top.
I generally get the larger liquid as it keeps in the bottle. 1 pot of powder is usually more than enough for 1 whole body, provided its not got to paint more than underwear too. I get at least 1 body per pot of powder, with mixing liquid left over.
Neither brand is really meant to be used on a face on/ around the eyes & mouth, so best to use the powder dry there.
Or you can get a gold eyeshadow or similar if you don’t have proper gold facepaint. This is because both brands of mixing liquid have a substance (either alcohol or urea) which evaporates and can irritate eyes etc. (Also this means the mix degrades fast so don’t make it until you are ready to use it). But it is all cosmetic, safe for skin, and although staying on very well (non smudge), it washes off.
My Red Nose Day photos by Michelle Workman, Models Carla Finlayson & Rachel
This Mr Freeze was done completely with metallic powder brushed/ polished on with a large fluffy paintbrush and powder pad, dry. It seemed to last pretty well but you could always use a cosmetic fixing spray like Kryolan Fixier (much as I hate fixing anything – use sparingly and avoid eyes/ follow instructions). I wouldn’t advise a whole body this way purely as it seems to use more powder than the liquid methods, and was less sturdy.
A little of the powder goes a long way, so DO NOT mix up the entire contents of both bottles! In a desert-sized bowl pour a little liquid, add spoonfuls of powder, and mix. Everything says 1/2 the amount of powder to liquid but that is hard to judge – by weight? by volume? -so it really is trial and error.
This is the slow bit – keep adding powder, mixing until all dust/ lumps are gone, and when the mix looks like liquid metal in the bowl when fully mixed, test it on your arm. If it dries looking shiny enough for you from all angles, it’s probably ready to use, but you do need to keep adding powder and stirring it as you work.
There is no exact guide to how much of each to add to the mix – it gets shinier up to a point then goes slightly solid/dull when it is over-saturated, it is hard to describe. And always try a little more powder than you think even if it looks gold – many beginners get dull looking models as they don’t have enough powder added.
Or you can mix the powders with baby oil for a super shiny look. The drawback is that this oil mix doesn’t dry, so is only really good for photoshoots where the model doesn’t have to touch anything (and doesn’t mind a tough messy clean up afterwards). Even resting fingers/ leaning against things leaves marks on the finish which are easily re-painted or even just smoothed over but a pain if you want them moving about/ touching stuff.
Make it up in small batches as you work, you can always re-coat areas.
Use a bowl/ pot that you don’t mind getting ruined as it can be hard to wash off utensils.
Don’t keep the mixed powder & liquid or make it up in advance as it goes ‘off’.
It paints over most fabrics that are not too cotton rich (try it on undies to see which type/ fabric/ colour is best). But fabric does soak it up a lot so always take extra/ pre-paint material if you can.
DO NOT spray clothes etc before hand with a gold car-spray as 1 agent did – we had to cut the newly-gold sweatbands with tin-snips and put them on him like handcuffs. Either find gold fabric/ undies or a gold fabric paint/ spray.
For the liquid methods, once mixed the best (and fastest) way to get the paint on is with a wide, flat, thin, short-bristled, very soft, brush. I think they are called wash brushes, I usually use a 3 inch wide version with bristles less than 1 cm long. They used to sell cheap 3 packs (3, 2 and 1 inch) in those discount bookshops like the Works. Similar to this anyway – don’t get expensive ones as this tend to ruin them.
Keep turning the model so thin patches show up as the light changes. Once dry (almost instantly) it stays on really well, I did models in it for events in HK and after working all day they still looked fine – just as well as I don’t use fixing sprays if I can help it! Make sure at any breaks they don’t wrap up in fluffy clothes or towels though as that takes off the shine – I use silky make-up dressing gowns etc.
For the oil method, models can often DIY it and pretty much massage it into their skin. Or you can use a brush of the type I mention above.
Video of the gold oil mix in sun on Borg/ C3P0 mashup
This mix can be put onto hair though as usual I’d be careful of recently dyed/ pale/ blonde hair incase of staining. Get the hair as smooth and flat as possible first if you want a solid gold look, which will use a lot of the mix. I find that sort of ‘dry-brushing’ the hair so prominent locks/ strands pick up the gold rather than saturating the whole head works well whilst saving mix. Or use gold or glittery hairspray.
With cakes its generally too expensive and takes a very long time. Cameleon and Kryolan are my fave solid-cake golds.
If you buy Kryolan in ‘cake’ form, for either face or body, generally buy Kryolan Aquacolour, NOT SupraColor- that is oil based and a pain to fix/ get get off (although it looks fab). The only difference is the word on the lid so watch out. The other thing you is the Kryolan AqC gold doesn’t look gold – I think its their copper that looks more gold!
I’ve always advised soap/ shower gel & a body scrubber (wipe off as much of the oil method with paper towels or a scarficial cloth first). But we recently discovered that the usually magical Cameleon solid brush & body soap didn’t budge some application methods of the mix, but the Cameleon brush & body foam soap pump took it easily off AND cleaned the bath too!
Powder & matching liquid method – as you can see no transferring onto white dress!
Make sure your model hasn’t used anything on her skin that day – fake tans etc can react, and moisturiser or oils make it hard to stay on.
It looks best on smooth, tight hairless skin – i.e. shins and foreheads. And always looks better with bright sharp lighting e.g. in flash photos.
AND the Gold Bond Girl ‘death’ due to suffocation in the paint is a MYTH. We are mammals, with lungs – we do not breathe through our skin or need a small bare patch at the base of our backs to breathe through! And if you use good safe cosmetic stuff like this, you can still sweat so won’t be overheating any more than a non-painted person.
And don’t get me started on the eejit who replied to my ‘how to’ email that it was hurting his girlfriend and he couldn’t get it off – he’s used a well-known brand of garage-door-type paint. I told him they were idiots and to go to A&E…
ALSO TRY LOOKING AT Facepaint-UK‘s blog years back for ideas
David Cook (photography organiser for Paintopia, fireworks display creator etc) has been organising monthly meet-ups for some locals to get more into bodypainting. As it is often at weekends I’ve not been able to go that much as I tend to have jobs, but I managed to get there this time and do a quick promo paint for VW Whitenoise who have asked me to paint there this summer.
I said I’d do a little advert paint and Stephanie Moore volunteered, turning up with loads of festival-type clothes.
I used the new graffiti face & body art stencils I bought from Illusion Magazine, love them! And mainly Cameleon Uvs.
Thanks all, fun and in my fave colours!