Glastonbury Body Art Festival Jan 2019, Maya Ix Chel Jocelyn Paint

This was the 2nd occasion artist Mel Broom and maker Stephen Duross had hosted this event. The inaugural day last January 2018 was a huge success, with a massive queue of public waiting for hours to get in to see the artwork as it happened and then returning for the catwalk. This year the larger Glastonbury town hall was booked, and the theme was Gods & Goddesses.

As it was just after a busy Halloween/ Christmas season, I’d really not had much time to think about what to paint. I knew I wanted to do something from the Mayan Pantheon, as I’d been fascinated by the art and ruins I saw when we lived in Belize. I was lucky as when I was a kid, my stepmother chaired the Mundo Maya coalition of governments/ tourist boards who went to visit lots of Maya ruins around Central America, deciding which to open up to tourists in what is now the very well known Mayan routes. I ended up doing my BSc thesis on Mayan medicinal plants, etc!

Then we heard the horrific news that Jocelyn Casdorph, a well known face and body artist, who worked and taught internationally, had been killed by her husband over Christmas. Her designs (and own cheerful face) inspired many and I wanted to paint a tribute to her. I’d been thinking of maybe doing IxChel, the moon goddess. As well as being patron of weaving and the moon, she looked after women and had escaped a jealous angry husband herself. So, I had a story for my paint, and a vague idea, but I designed as I painted on the day!

I used my Cricut Maker to cut feathers I had drawn out of various foils and papers, to represent Quetzal bird feathers. You can’t get them – the stunning iridescent birds are threatened so now protected in Guatemala, etc – and although similar to peacocks I decided to stick to paper.

I also designed some jaguar print stencils as that is another animal product often worn by Mayans. (As it was I forgot the largest ones I meant to use on the day so the smaller ones had to do. I also forgot half of the paper clay jaguar teeth which were still drying). Paintopia sell my #cutbycat jaguar print stencil.

It was a cold, frosty morning when I collected Izabela and drove down to Glastonbury. She’d a terrible cough so was really amazing to insist on modelling for me. We checked in with Mel, Stephen and Debs, and set up in the space we had been allocated under the lovely chandeliers. I’d bought both of the Paintopia TML Makeup Lights I look after with me, so set them up to light as many artists as I could at our end of one row. And got painting!

There were lots of breaks for teas and lovely food (thanks everyone, luxury!) and the world’s largest baked potato. The public were allowed in from lunchtime, so we then painted whilst also being filmed, photographed and chatted to. I think Izabela’s most controversial question from a child was why she was drinking coffee! As always even the kids were fascinated, it is art and nobody is naked.


Artists and models were all levels of experience, age and shape, painting together so there was a huge range of styles. You had ‘old hands’ such as myself, Liz Bylett, Jenny Marquis, Erica Wafford etc, models who have had dozens of paints a year like Izabela, and newer makeup artists/ face painters too. Then there was the famous Linda Ravenscroft who tried her 1st body painting last year at this event and created a fab Morrigan.

Jenny’s model had stepped in last minute and did amazingly on her first ever bodypaint, as did the recipient of the days’ takings who ran the Childrens World Charity.

And Sam the local Blacksmith rocked the catwalk as a cheerfully aggressive Thor! there were some fab collaborations as well, with famous armour maker Terry English lending some of his metal work to help decorate models who had no artists for whatever reason. Somehow Mel & Debs painted them and more!

  

     

I always put up a blurb about my paint for those too shy to ask, its in jade green below.

Goddess Ix Chel (rhymes with sea -shell)

All props made from paper by Cat

Ix Chel is the Maya Goddess of the Moon, Water, Rainbows, Weaving, and Childbirth.

I painted a moon over a Mayan temple (memories of visiting family friends at various ruins around MesoAmerica, and moonrises over the pyramids in Guatemala with me now-husband). Her dark blue skin was also meant to represent the night sky and constellations were added as random splatters or jaguar skin shaped patterns.

She is sometimes shown as a beautiful girl with sparkling skin sat in a crescent moon with her rabbit, brushing her shimmering hair.

I reused the amazing dread extensions I made years ago, that have been added to so many of my bodypaints and own outfits. Dark multicoloured wools, peacock feathers, shining silky ribbons…

In one tale, her amazing woven cloth attracted her love, the sun-god. Her grandfather didn’t approve of him, and accidentally killed her with lightning, but dragonflies surrounded and sang to her body for months, until she came back to life and married her sun god.

I re-used the dragonfly wings made for the Prosthetics show bodypaint in 2017 on my Cricut. This had involved scanning in a real dead dragonfly I had from when I ran Carlton Marshes Nature Reserve Education Centre, then painstakingly cleaning up he image online. I then cut it out in various sizes from all sorts of paper, card and acetate which I sprayed gold.

Sadly he was a jealous, abusive husband, and Ix Chel transformed into an invisible jaguar to escape him and hide whenever he looked for her.

I added blue jaguar spots over strips of yellow, like the Mayan costumes shown in some carvings. Also the paper clay fangs were added as jewellery.

She continued her work, helping women, weaving the life cycle, and keeping the souls of the dead.

I drew the mayan feathered serpent, which reminds me of the world serpent legend, surrounding a skull design that poor Jocelyn was known for.

This paint contains a skull design inspired by the face & body paint artist Jocelyn Casdorph, who could not escape her husband on Christmas Eve and lost her life. Her art brought colour and joy to many, and inspired other painters. I hope her story also inspires anyone seeing signs of, or trapped in domestic abuse, to reach out.

The hall filled up for the catwalk, standing room only! I ended up jumping in to help guide/ time models, which was fun.

Its a long day for the models and as Iz had to get to a casting in Manchester the next day, we didn’t stay long after the catwalk. Models were dancing on platforms and posing for photos so we had some quick shots then packed up and de-accessorised Izabela. I handed out the Cameleon soap samples Jennie had sent from the Paintopia Shop (it cleans skin as well as brushes) and we trundled my gear back to the car.

Huge thanks to all the organisers and everyone who came, a lovely creative event and a decent amount was raised for Children’s World!

 

 

Anti-horn Unicorn Bodypaint for The Prosthetics Event

I’d designed a head/ neck paint on the marvellous Angela Youngs when she offered to model for me at the UK Face Painting Convention where I was demonstrating products for the Paintopia Shop, in Oct.


Angela was amazing as always, letting me stick a unicorn horn I’d made onto her rather funky feathery clip-in mohican, then going out in full punk anti-corn mood to harass the public, guests and even cars! The response was so much fun I though I’d have a go at a full body one for my next demo.


Paintopia Jenn kindly asked me to demo for her at the extremely busy Prosthetics Event, which is always hosted by the guru that is Neil Gorton. Angela was our other demo artist, painting her own model this time, and I was decorating Rachel Shar Marston for the 1st time – I’d seen her modelling at the UK FP con and nabbed her!

I love researching each bodypaint and this one was inspired by horse armour worn on medieval battle horses, with the non-rainbow unicorn twist.

One thing I had been thinking on was how to get different pale ombre effect shapes on top of dark tones, so I tried adding sticky star vinyl shapes I’d had my Cricut cut sheets of on top of each of 4 layers of darkening paints on Rachael, in different places on each layer.

Our work experience makeup student, Steve, (he was brilliant, had his first try at body painting on Rachaels legs too and is hopefully now addicted) had the fiddly job of finding and peeling off all these stars after I’d added the black final layer, to reveal different shades under each.

It worked, I’ll use that method again. Paints used were Paradise white, Superstar Blue and Snow petrol, Cameleon Teal, Inkheart and Gothic black from the Paintopia Shop.

I wanted to try some different techniques, so has been talking to Cricut Uk re their new Cricut Maker machines which can cut my custom designs in much thicker materials than my current Cricut Air (which is 3 versions older). The plan was to do thick foam armour, cut on a Maker. Amazingly, they lent me a Cricut Maker to try all my ideas on! Typically I spent so long fiddling (making my mock-ups, so I could scan them to be cut in the foam etc) that I when I hit a fault with the special tool I had I didn’t have time to get it sorted by their helpful team in the USA.  Not a problem: I switched back to thinner material and ended up with a much prettier less tough and scary ‘armour’.

I’ve a fab giant foam horse head ‘hat’ I made on an EVA foam course with Alex Hansen, and wanted to do a variation on that. Preferable one I could easily recreate by scanning into my Cricut. I sketched and made mini versions, then scanned in my design, to make it cut out and then be tweaked again. Eventually I had a mini version of a 3D horse head which I planned to make in thick foam.

I drew a curly baroque engraving inspired doodle, scanned it in and then added shapes and patterns in Cricut Design Space until I ended up with a unicorn horned, spiky, shape. This I cut in various sizes and formations (sticking it to itself, elongating it, etc) from Hobbycraft Glitter card, metallic green textured card, Cricut faux leather, etc. I also cut and mirrored it to make ‘spikes’.

Pro photos by Ben Bentley

These shapes were layered into Rachels hair and glued onto her body with cosmetic adhesive (I sell the fine tipped cosmetic glitter tattoo application kits). I also had the Cricut cut thin foam ‘hooves’ for all four of her limbs which we glued to her wrists and shoes. We decided the smaller horse head looked better as a protective shoulder pauldron and glued it on there.


The wool and feather dreads on elastic I bough years ago on Ebay and have added to, they have been in so many bodypaints! One was tied into her hair under the horse-neck armour, the other was tied round her waist as a ‘tail’

Some one stroke leather strapping, gluing on and painting the dozens of assorted sized unicorn horns I’d made form paper clay (I sell them too), some fine glitter tattoo work  and Rachel was finished, all whilst answering questions from the curious crowds.

She swaggered off in appropriately punk-ish mood, swinging the original giant foam horse head, sneering with attitude which was perfect for her character, and posed for photos until the stage show.

 

Thanks to everyone involved, brilliant, busy event as always and I hope to see you all there next year!

Training holiday staff at Butlins to face paint

I have just had my annual trip up to sunny Skegness to train, refresh and enthuse their holiday entertainment staff in the art of face & bodypainting.

As usual the chalet I stayed overnight in – a flat really – was lovely, I have been in a different style/ zone each trip. (I also did the glitter weekend here for a Rave Weekender in the winter so have tried them all now).

This time we did our workshop in the rather luxurious spa which was cosy, warm and bright despite the changing weather. Although sea gulls fighting on the glass roof was a bit noisy and definitely odd to see from below!

On my advice they have added a large selection of stencils from Illusion Magazine Shop to their kits, as well as  Cameleon petal brushes and some other professional essentials from the Paintopia Shop

   

Their manager is impressed with how their skills have built since I started training with them so do pop in if you are there on holiday and let the ladies decorate you!

George Michael tribute bodypaint @ Wiltshire Face Paint Jam

Feb 2017

I was really a rock/ metal/ funk chick from my teens, but I still had a good mix of music on my tapes (yes I’m that old) and adored George Michael’s Freedom. I can recall hours of listening to that on my Walkman as I sat painting and repainting pictures of the central courtyard tree in Chesterfield high school for my A-level art exams.

Later,  I couldn’t go to the Freddie Mercury tribute concert as I had an exam at Uni, but watching it in the Student Union bar over lunch, his was the one voice that really blew me away – he nailed the Queen vocals.

So I was saddened to hear of the last great loss to music in 2016 – George Michael on Christmas Day. I’d hoped to paint something on a model locally just to express thanks/ regrets, but colds swept the family and models cancelled. Finally I asked if there was anyone I could paint at the Wiltshire Face Painters’ Jam I was supposed to demo at in Feb. Richard, fiancee of a painter, kindly volunteered.

On an incredibly cold, misty morning, my eldest and I packed the car and drove the hour over to the jam, missing all the local scenery in our foggy tunnel.

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I’d initially wanted to paint jeans and a jacket like in the famous denim/ jukebox video but due to timings cut back to just the jacket. I’m not a fan of using black, its the shade I use least (I find it boring for clothes and prefer colours) but I did my best! I substituted ‘never gonna dance again’ on the t-shirt chest to mimic the white block-lettered T shirts George had in the 80’s.

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On the back, I swapped the top gothic lettering for ‘freedom’ with some of his iconic crosses either side, RIP in the middle of the leafy wreath,

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and, running out of time, didn’t do a great job of the gothic G heart M on the bottom. I did these in paint first and then freehand glitter tattooed around the edges, as I wanted to give a raised effect like metallic thread stitching. Brushing off glitter vudei is here.

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It was a fairly relaxed day, with demos, competitions, people chatting, asking painty advice, breaks for Katie’s lethal rainbow cake, etc.

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Assorted pics from the jam page… not painted by me 

I attempted to stencil-glitter-tattoo (using Mehron’s gold metallic powder) the zips which didn’t quite work but I can see what I’d do another time and it still gave a good effect. That’s when we found Richard had a very very tickly tummy button…

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The organiser Sally rose leant us some perfect aviator glasses, but sadly the perfect guitar I’d borrowed from my husband and packed the night before had been borrowed back by hubby and I’d not noticed to re-pack it! Luckily Richard was the event’s DJ so had a mic to add to the look. Final clip here and I’m just doing he timelapse.

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We all snapped a few pics – I mainly have put up Katie’s as her phone caught better reflections in the sunglasses than mine did – and packed up. Short but sweet!

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When I got home my eldest vanished and hubby was in the bath, so I unloaded the stuffed car into the porch and ferried from the porch into the house. This is my youngest ‘helping’ by flinging paints and glitter gels out of a crate on the front step, into the house… :/

Huge thanks to Richard 9and it seems he now wants another paint so wasn’t put off by this!) and Katie, to Sally for the fab jam, and everyone who came to chat etc.